NEW NEW Now with the new OmnesAudio 20 cm Alu Bass. Better is better. Again optimized 18 dB turnout.
The price could be lowered by the own development and production.
The pictures still show the "old" basses ....
Presented in HH 2/2018. An outstanding development by Bernd Timmermanns.
CONCLUSION
Omnes Audio provides the CX3.1, an excellent coaxial transducer. He takes it loosely in broadband disciplines with full-range sound transducers and surpasses them with its flawless tonality and very fine high-resolution.
The bass with aluminum membrane blends seamlessly and completes the three-way team. Even if this project is satisfactorily cost-effective,It has tonal and dynamic but still a lot of quality to offer and plays in a much higher league than its price suggests.
THE SOUND
In the auditorium of the editorial office, the Cumulus Tower built a wide, deep and realistic space. "Jazz At The Pawnshop" is a great way to fathom the spatial qualities: live recording from a jazz club in Stockholm in 1976 is quite rightfully cult status, and with outstanding speakers it reveals fine details in the depths of the room and at the same time outstanding plastic and direct placement of the soloists clearly in front of the speakers - altogether breathtaking reality.This works with the Cumulus Towerbetter than with many, much more expensive speakers.
Voices are natural and plastic. From the bass baritone of Hans Theessink ("Late Last Night" on "Call Me"), which is in sonorous fullness in the room, to the almost spherical duet of Katie Melua and Eva Cassidy ("What A Wonderful World" on "The Katie Melua Collection ") the Cumulus towers know how to convince their audience.
Double bass is sublime, deep and voluminous. Ray Brown''s bass on "We Get Requests" by the Oscar Peterson Trio (a superb 24-bit K2 HD mastering) has the impressive volume of a large stringed instrument, reaching deep abysses.
Very convincing is also the Palso the level stability. Limitations would be most likely to be expected from the midrange, whose narrow beading does not allow any major Membranausrenkungen. The relatively high crossover frequency to the bass of 5 00 hertz relieves him so sustainably that he continues the dynamics that the bass offers, in the middle without break. And the tweeter also plays well and without fatigue, especially since he also benefits from a relatively high crossover frequency of 3,500 hertz.
Test in HH 2/2018
A development by Bernd Timmermanns. The details such as blueprint and modifications, please refer to the booklet.
We deliver the booklet with the kit.
German
